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Hi - it turns out that both of these methods accomplish the same thing. However you were missing one important step in Option 1: which is that you need to right click on of all your incoming iPhone clips, and from that pop-up menu, select "Input Color Space" then from the sub menus: "Rec.2100", then "Rec.2100 HLG" to tell Resolve what color space your clips were recorded in. As a quick explanation of what is going on here, there are three color spaces you need to be aware of: a. The input color space which is the color space you shot your clips in (Rec.2100 HLG on the newer iPhones) b. The working color space in Resolve (which can be set to many different things, but the best space is "Davinci Wide Gamut" as it can display a huge range of colors and contrasts). c, The output color space, which in your case, it sounds like you want SDR, which is typically Rec.709 Gamma 2.4. (On a Mac, I prefer to use Rec.709a as this is the same as Rec,709 Gamma 2.4, but will display without a gamma shift in QuickTime.) To make this process work, you need two conversions: (i). Before editing and color grading, you will need to convert your input color space to your working color space (ii). After editing and color grading, you will need to convert your working color space to your What is going on in Option 1 that you describe is that Resolve is doing the color space transform steps for you automatically. You simply have to tell it, for each incoming clip, what that clip's color space is. And for each Timeline you need to tell it what is your output color space. What is going on In Option 2, is that you are having to do both of the conversions (i) and (ii) yourself using Color Space Transform nodes. I find that this is more work, and I have not been able to see any difference in quality using either approach. So it's your choice, but I prefer Option 1, but don't forget to select all your iPhone clips, and right click them to set the incoming color space. The advantage to Option 1, is that if you decide to output the timeline in a different color space, you can do it simply by changing the output color space in the Project or Timeline Color Space settings.

Have fun! Unfortunately I expect you’ll need a full height tripod.

Have a wonderful time! I recommend booking lunch at Newstead Winery if you are in Plett, and Bramon Winery as a second choice if they are booked.

Glad to have inspired you. I highly recommend the camps, as even though PMTS seems simple, it is hard to know what you are doing wrong and how to fix it without having a bit of expert help.

I wish I could remember how we got there, but honestly I have no clue! Sorry!

Thanks Taufik (I hope I have your name right!). I wish I could go back with today’s iPhone and DJI Pocket 3 and shoot it all over again.

Yes - you will be able to use DaVinci Resolve 18.x on your iMac 2014. However you won't be able to see HDR on that screen as it is not an HDR capable display. So HDR and Dolby Vision while possible, are not going to be practical as you won't be able to see what your output will look like.

Thanks Ramen!

You are quite right. We are just students early in the learning process.

Jacques, how nice of you to write with such kind comments about Emmy. Sadly she passed away in 2021. She was about 90, so had lived a good life. She is sadly missed by all of us in her family, but we celebrate the many lovely moments that she gave us. I hope all is well with you. Sending our family's best regards!

My pleasure. Best of luck with your own projects!

Hi Bryce! Great to hear from you. Oh damn - you reminded me of all the work I still have left to do to catch up! (May never happen given how much time these things take.) I hope you are still enjoying your photography.

You can upload HDR videos to RUclips in either HLG format or HLG with Dolby Vision. However, be aware that anyone not using a true HDR display will see a very low contrast version of the video, which you might not like. So if you are going to do that, I recommend doing a test, and watching the video on a non-HDR screen to see how it looks, as that is how a very large subset of your audience will see it.

@@DavidSkok1 basicly most iphone users uploading competely overexposed HDR videos = when you run it on TV but when you open it on mobile its fine due over 1100 nits. But there are users than can properly export videos with correct colors About recording what if i dont want apple pro res and want to record lets say 60 minute travel video .

@@allstarbury For most amateur filmmakers, Apple Pro Res is not a good idea as the file sizes are huge. The quality of video recorded in H.265 (the normal format) is excellent, and most users won't be able to tell the difference. That will easily allow you to record 60 minutes and much more for a travel video. That is what I personally do for my videos, and I just came back from a 2 week trip to Namibia where I shot about 3-4 hours of footage on my iPhone 14 Pro Max.

@@DavidSkok1 so you understand me . All i want to learn how to export NON overexposed video and upload to youtube . Example ? Just run on your android TV tourister channel on yt For me is 100% blow out overexposed

@@allstarbury I do cover that in this video at this time point: ruclips.net/video/0X1FRWdEvJA/видео.html

It was incredible! One of my favorite life experiences. I hope you have a chance to go.

@@DavidSkok1 Thanks, I'm going at the end of March next year.

Can you afford to buy an iPhone 13, or 14 Pro? They will give you spectacular results.

@@DavidSkok1 thank you for your response! My fear is the Dolby vision ecology grading and exports. As I can see iPhones with Apple ProRes and DV are the best for videos…

@@DavidSkok1I can see from many videos on RUclips that iPhones has the best motion flow than any other android even higher on price. Every android phone, even flagships seems to have something like drop frames to my eyes and low details also… correct me if I’m wrong. Maybe it’s post processing pure from the videos that I saw, but your opinion is worths for me.

@@AthanEvans If you are using DaVinci Resolve, Final Cut Pro, or Premiere Pro, to edit your footage, you do not need to worry about using the iPhone's Dolby Vision, even if you are going to use it for SDR projects. The footage is very high quality, particularly because it is 10 bit (billions of colors), as opposed to 8 bit, and has very high dynamic range. That footage works well in either HDR or SDR projects. Personally I don't recommend using ProRes as the files are simply too large, and impractical as a result. Yes there is some small improvement in quality in certain situations, but in my view it is not worth the hassle of these huge files.

@@DavidSkok1 Thank you Sir!!

I recommend using Rec.709-A which is designed to make sure your videos will play correctly in QuickTime on Apple computers, as well as work perfectly for uploads to RUclips, etc. (I believe the A stands for Apple.) The full settings for the Color tab are: Color Science: DaVinci YRGB Color Managed Unchecked - Automatic Color Management Color Processing Mode: SDR Rec.709 Unchecked - Use Separate Color Space and Gamma Output Color Space: Rec.709-A Unchecked - Enable Dolby Vision Unchecked - Enable HDR10+ Unchecked - Enable HDR Vivid I hope this helps.

@@DavidSkok1 Thank you for your reply, If you see some of my latest videos, I am getting hazy output, I was shooting 60fps 4k, dji mini3 pro and iphn 14 pro max, videos look great in the time line but after rendering it is hazy , any solution?

@@dronevlogsmath Can I ask you to please upload the following: screen capture showing me the settings on your Color tab for project settings, and screen capture showing me your Export settings, screen capture of your Preferences, General Tab (System) and a video that has the hazy problem. Here is a Dropbox Link you can use: www.dropbox.com/request/x1seWFrRRfa4a21xLAc1 Thanks, David

@@DavidSkok1 Thanks so much for this; I uploaded it with my real name and email ID. so generally, I am shooting in dji mini 3 pro D cinelog profile, 4k 60fs and simple 4k, 60 fps with iPhone 14 pro max. Surprisingly if you see some of my old videos with dji mini 3 pro and iPhone, they were super smooth even after rendering but then I changed few settings in vincci and then this hazy thing is happening, I forgot what the old settings was.

@@dronevlogsmath Can I ask you to please just place a text file in here that has your Cell phone number and Email address. Then we can start a real time conversation, and probably move this to a Zoom call, where I can walk through your screens. So far, what I see tells me that you are doing pretty simple HDR grading. But your Color Page settings are a little confused, which might explain the problem. I hope to be able to able to help you fix this.

Greetings to you in Bogota! I hear it is a wonderful place.

Hi Can, what device and application are you viewing your exported video file in? Can please try viewing in QuickTime on your MacBook Pro with XDR screen and tell me if the problem still persists. Also please see my comment that I added when Resolve 18 came out on how to add Dolby Vision in the Resolve Export page. If that doesn’t work, I will try other steps with you to fix it.

Delighted to be of help! Make sure you’ve read the update comment that explains how to export Dolby Vision directly from DaVinci Resolve without using Apple’s Compressor

True, but the great news is that it does support HDR, and HDR provides at least 90% of the visual impact.

Probably not easy to find. We had a guide from the Park that knew how to get there.